The 10 Role in dasavatharam
1. A Brahmin
2. A Dwarf
3. A Scientist
4. A Fighter
5. A Black Man
6. A Tourist Guide
7. An Old Woman
8. A Robber
9. A Young Lady
10. An Emperor
March - Tamil Movie Dasavatharam's audio launch
Dasavatharam' is a high budget film starring Kamal Haasan, Asin and Mallika Sherawat in the lead roles. Kamal plays ten different roles in the film. The latest buzz in the industry is that the audio launch for the film is expected to take place in the month of March. The chief guest for the launch would be Jackie Chan. The film is produced by Oscar Ravichandran. The producer announced last month that Jackie Chan would be invited as a Chief Guest for the audio launch of the film. Ravichandran's brother Ramesh Babu has gone to Japan to meet Hollywood star. The team is waiting for the return of Ramesh Babu, who is expected to be returning to Chennai this week. Sony has obtained the rights for the songs of ‘Dasavatharam'. It is expected that around two lakhs CD's might be released in the market and the price of each CD will be fixed at Rs. 99.
Sourse : dasavatharam.info
Indira Vizha tamil movie
>> Wednesday 13 February, 2008
Language: TAMIL
Director: K Rajeshwar
Producer: Ashok K Kothvani
Cast: Srikanth, Namitha, Hema Malini, Raghuvaran
Music: Yadhish
Superstar visit Tirupathi with yathra
In film world Rajinikanth is known as someone who is very spiritual and religious. He makes it a point to visit holy places whenever time permits. Recently after the Sivaji function and the announcement of his films Kuselan and Robot, the actor had taken a brief break and was at the Himalayas to perform meditation and to visit the caves of his guru Babaji. Now after his return, he was seen at Tirupathi along with his wife, two daughters, son-in-law Dhanush and his grand son Yathra.
As expected there was some kind of excitement among the devotees which was put to rest soon and Rajini's family had a good darshan of Lord Balaji. It is reported that the Boss's family was at Tirupathi in connection with the tonsuring ceremony of his grandson Yathra. It is a known fact in this part of the country that the child's first hair cut would be at a temple and as it appears Super star's family is also following the same ritual.
Read more...
Sathyaraj Goundamani fare - Tamil Movie Thangam
>> Monday 4 February, 2008
Thangam has a usual story that suits Sathyaraj brand of entertainment with the addition of sister – brother sentiment. Thangam is a simple story of a tug of war between two families. It is a story of friends turning foes.
Set in a small town near Coimbatore, ‘Thangam’ portrays two families headed by Rajendranath and Mahadevan respectively. Thangam (Sathyaraj) is the son of Delhi Kumar and Aaruchami (Shanmugaraj) is the son of Mahadevan. Kaalai (Goundamani) is the uncle of Thangam.
Thangam and his sister Bhagyalakshmi (Jayashree) share a special attachment. The sister finds a suitable girl (Megha Nair) for the brother, who tries hard to arrange her marriage in a grand manner.
The two families turn foes because of the local MLA, who is corrupt. The MLA wants to get rid of Rajendranath, who commands respect in the constituency. He gets close to Aaruchami, who is jealous of the respect commanded by Thangam and his family.
The story has many twists and turns. Aaruchami, a compulsive womanizer, woo Thangam’s sister and makes her pregnant. Thangam, who is mad of his sister, makes Aaruchami marry him. Aaruchami commits a murder but Thangam accepts the responsibility and go to the jail to save Aaruchami, to make the marriage of his sister possible.
Later, the relationship between the families is affected further with Mahadevan revolts against Rajendranath to make his son Aaruchami as MLA. In the process, he commits a murder and gets punished.
The battle gets worsened. Rajendranath and Bhagyalakshmi are killed. The rest of the story narrates how Thangam avenges for the murders.
Director Kicha has no pretensions. He makes it clear that he wants to give us an entertainer loaded with sentiment, action, and comedy. He does it with a well crafted script and the comedy of Goundamani – Sathyaraj combination. He narrates the story without making the audience feel boredom. He has paid much attention to the comedy and the smooth narration. The way Thangam takes on the rivals is worked out well. Especially the death of the MLA has been well conceived and executed. The sentimental scenes fail to appeal and the action sequences too are not that impressive.
Sathyaraj has no challenge or whatsoever in the film. The role is a routine one for him, which he handles with ease. He scores points in action and comedy but appears less convincing in sentimental scenes.
The highlight of the movie is Goundamani’s comeback. The veteran steals the show with his sharp satire and voice modulations. His take on the current political scenario is hilarious.
Shanmugaraj registers an emphatic performance as Villain. His eyes and body language do the magic. Bala Singh is excellent as a cunning politician. Others including Mahadevan and Rajendranath have done their respective parts well.
As far as Megha Nair is concerned, she has little scope to showcase her acting talents. The tall girl looks fresh and tries to impress in emotional scenes without much impact.
Music by Srikanth Deva is just about okay and camera work by D. Shankar is competent.
Overall, the movie has nothing new or novel to offer. But it does entertain with a good script and comedy element.
sourse : indiaglitz
Indiralohathil Na Azhagappan Tamil Movie Review
The movie begins with an ‘opening song’ introducing the hero. The rule of Vadivelu, who dons three different characters and four different get ups, starts from the word go. The movie, written and directed by Thambi Ramaiah, who has penned many comedy tracks to Vadivelu, revolves around a human being making merry in the heavenly world.
Azhagappan (Vadivelu) is a member of a theatre group. One fine day an unlikely visitor from the heavens stumbles upon him and almost falls for him. The beautiful trio of the heaven – Ramba, Thilothama, and Urvashi – comes to the earth to enjoy its “beauty”. While the others get back to where they belong to at the right time, Ramba (plays by Suja) looses her track and gets into trouble. Vadivelu accidentally helps her to go back to the heaven. She gets him to the heaven during the night and sends him back to the earth early in the morning.
Frequenting to the heaven and the hell gives Azhagappan an idea of what is happening in the other world. He is not serious about his rare opportunity to see the Devendran (king of all deities – played by Vadivelu) and the deities but the death of a neighboring child changes everything. He takes thing seriously and wants to teach a lesson to the deity of death (Yama Dharma Raja – played by Vadivelu again).
Vexed with the death and the ways human beings are treated with in the hell, Azhagappan decides to tamper with the process of life and death. He wants to tamper with the laws of the gods. The gods get anger and Azhagappan pays the price. Comedy turns into tragedy, as he is in for a big trouble. Naradha (Nasser), as usual, makes amends to bring up the climax.
Ramaiah has chosen a premise that has potential to provide us with hilarious moments. The fantasy element peppered with mythological aspects is utilized well to entertain the audience. The initial scenes portraying Indran and Yaman in a different light are enjoyable. Ramaiah – Vadivelu brand of comedy is at its best when the characters are introduced in the heaven and hell.
Post interval, the film looses track, as the director steps into sending out message to the public. The fantasy crosses the limit and the movie slips into sentiments and stereotypes. The proceedings leading to the climax are testing our patience. The build up to the predictable climax is irritating.
Vadivelu’s powerful and colorful performances in three different roles are commendable. He is stunning as Yaman, though Ramaiah has gone overboard in shaping the character. As Indran, Vadivelu scores with his expressions. Azhagappan is Vadivelu’s usual character, which he handles with ease. His body language is amazing, so much so that even ordinary dialogues sound comical with the help of his body language. His rendering of dialogues in pure Tamil is fantastic, barring some hiccups in pronouncing a couple of letters. His portrayal of the old man is quite effective. The way he has differentiated the three characters by rendering three different voices and modulations are praiseworthy. Hats off to Vadivelu.
Nasser’s cool handling of Naradha role adds the impact, while Suja looks good and provides glamour to add variety. Others, including Manobala and Sumitra are competent. Shriya sizzles in the item song. The song lives up to the hype.
The music by Sabesh Murali is effective. The songs are humable. The background music in Yamalogam is powerful. Cinematography by Gopinath is excellent. The different colors used for Indralogam and Yamalogam are noteworthy. Thotta Tharani’s art work in creating the heavenly worlds is marvelous.
Overall, the movie impresses in bits and pieces. It lacks consistency. The second half, filled with stereotypes and dull sequences, is dragging. Had Thambi Ramaiah worked out a better script based on the same premise, the movie would have been far better. Still, you can watch it for Vadivelu.
sourse:Indiaglitz
Aishwarya Rai Bachchan Robot Salary - 1.5 crore
Aishwarya Rai Bachchan has apparently charged a whooping 1.5 crore for her forthcoming project Robot.
Read more...Aishwarya Rai - Rajinikanth called Robot
Aishwarya Rai has reportedly signed the prestigious Shankar film with Rajinikanth, tentatively called Robot.
Our sources insist, the deal was officially signed yesterday afternoon, around 3.30 pm. “The contract was sent to Janak (the Bachchan bungalow in suburban Mumbai) for the Bachchans’ approval, and it was duly signed,” says our source. But that’s not all. Aishwarya Rai is allegedly charging a whopping
Rs 1.5 cr for the film, which was initially meant to be a SRK and Deepika Padukone starrer. The amount, needless to say, will be some sort of a landmark, considering no Rajini heroine has ever commanded such an astronomical fee so far. Shriya Saran was allegedly paid Rs 30 lakh for Sivaji.
Meanwhile, there seems to be some controversy around the title of this film.
Well, we all know the deal with tax exemption on movies with Tamil titles. So if you were wondering if Shankar was going to stick with Robot and incur the extra expense, you were wrong. The director has announced that Robot will soon be given a different name – a Tamil name at that. Since the movie is budgeted at Rs 120 crores, it makes absolute sense to cut these extra costs.
Shankar has also mentioned that this movie of his, being a sci-fi adventure, will depend largely on the visual effects, which may require a lot of time. But for Rajini fans, time won’t be an issue because Kuselan will be out later this year to keep them well entertained.
Shooting for Kuselan will start in February and the movie will hit screens post-June. Shooting for Robot will commence in July and the movie will hit the theatres, Well, let’s wait and watch
Coutrsey: IBNLIVE
Subscribe to:
Posts (Atom)
