KALIDAS

Thoondil tamil movie reviwe

>> Wednesday 19 March, 2008



Cast: Shaam, Sandhya, Divya, Revathi, Vivek

Direction: K S Adhiyaman

Music: Abhisekh Rey

Production: Medient In Association With Tarlac And Good Win Movies

Thoondil, a film shot extensively in London, tries to fuse romance, suspense, and drama but doesn’t fully succeed. Though the plot has some twists and turns, it is basically a melodrama about a couple that is forced to wage a custody battle over their child. Directed by Adhiyaman, the movie raises questions about biological mothers versus nurturing mothers. The plot revolves around Shaam, Sandhya and Divya, and the emotional complications that ensue when both women stake a claim over the same child.

Shaam, a handsome young man has everything in life: a loving wife, a good job, a car and all the riches that any man could dream of. He marries Sandhya and the couple begins their life on a happy note. But Sandhya has a problem: though she badly wants a child, she is unable to conceive because she cannot produce enough eggs. She learns this from her gynecologist (played by Revathy) who does her best to medically improve Divya’s chances of conceiving.

And then, to everyone’s surprise, and Sandhya’s delight, she becomes pregnant, and gives birth. Life takes on a new turn for the happy couple as they discover the delights of bringing up a baby. But just as suddenly, in a blink of an eye, everything changes. Divya, a fashion model in London, snatches the child from them. Why did she do it? Why is Shaam so helpless though he knows Divya may have kidnapped the child? Will they ever get their child back?

Adhiyaman takes a familiar plot – the triangle – and adds a new element to it: child custody. The focus is not whether Divya, the ex-lover, reunite with Shaam but will the parents reunite with their child. The director builds the suspense carefully in the first half. The flashback romance between Shaam and Divya is entertaining. The dialogues deftly illustrate the points the director wants to make, especially in a lighter vein when, through Shaam, he makes fun of Sandhya’s nose and Divya’s height!

Shaam is in his element as the hero torn between two women. We’ve already witnessed how sensuous Divya was in Polladavan, and in Thoondil, she is even sexier and appealing. She is pure eye candy in the beach song sequence. Though the film’s villain (or should one say, villy?), Divya plays her character sympathetically. Sandhya sparkles as long as she is the young wife; one she turns the young mother, she is mostly teary-eyed and sad, and her sadness weighs down the film.


Once the movie gets a little heavy, Vivek steps in to bring us some comic relief with his running gag of wooing snazzy London girls in his Nattamai Vijaykumar getup! Revathy is competent. Kaviyarasu’s camera uses the London locales interesting, but for some strange reason, the scenes look grainy, and lack clarity. Abhishek Ray, making his debut as music composer, hasn’t done a bad job at all, coming up with at least two memorable songs. However, the background score is noisy, overly melodramatic, with a lot of screaming violins.

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Flora Shine Hot Images

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Sakkarakatti Movies

>> Tuesday 11 March, 2008

















Movie : Sakkratti
STARING: Shanthanu Bhagyaraj, Ishita, Vedika
MUSIC: A R Rehman
DIRECTOR: Kalaaprakash
PRODUCER: Prabu
RELEASE DATE: Expected in March 2008

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Ayudham Seyvom Release date

Movie: Ayudham Seyvom
STARING : Sundar C, Anjali, Vivek
MUSIC : Srikanth Deva
DIRECTOR : Udayan
RELEASE DATE : 3/12/2008











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exclusive video for kettavan tamilmovie


“Kettavan” stars Silambarasan in the lead role, with
SS Music VJ Lekha playing the heroine. Santhanam had already
acted with Silambarasan in Vallavan and Manmadhan.

Check out the exclusive video of the film's shooting only at INDIAGLITZ!http://www.indiaglitz.com/channels/tamil/gallery/Events/12627.html

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Ofifcial Website on Anjathey

>> Monday 10 March, 2008


http://www.jhabakmovies.com/


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Pooja start at april & shooting in May On ROBOT picture

The pooja of the mega movie 'Robot' by the mega combination Shankar and the Superstar Rajnikanth will be held around April 14 and the movie will go to the floors by the month of May. The photo-shoot was held last month at AVM Studio. The music director A.R. Rahman too will start his work for the movie soon.

Though the unexpected demise of writer Sujatha, who was working with 'Robot' team, had shocked the entire team, the film will soon be kick started. Since Sujatha is one of the few Tamil writers, who are well versed in scientific matters, it would be a challenging task for the director to find a suitable person to write the dialogues for the science fiction movie.

It is expected that Rajini would finish his portions in ‘Kuselan’ before 'Robot' goes to the floors by May.

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Vambuchanda Tamil Movie Review

>> Friday 7 March, 2008


Cast: Sathyaraj, Uday Kiran, Riyaz Khan, Diya, Raj Kapoor

Direction: Raj Kapoor

Music: D. Imman

Production: Jai Mataji Cine Combines


Five songs, an equal number of fights, throw in a little romance, a little glamour, a little sentiment, some slapstick and something that resembles a plot and there you have it- - a perfect formula movie. The ingredients remain constant but the only question to ask of Vambuchanda is if the script and the execution do enough to hold your attention through the movie. The makers haven’t tried hiding their obvious intentions at attempting a tried and tested mix for the nth time.
Vambuchanda begins as a love story, takes a detour about halfway through, and turns into a political tussle between two men that ends in tragedy, (with the eventual face off and payback). For fairly formulaic fare, Vambuchanda at times isn’t as predictable in spite of the regular irking clichés. Uday Kiran and Diya are in love and it is just like any other routine screen romance with generously distributed song and dance numbers. You settle into another run of the mill parents vs. lovers story but surprisingly their love finds acceptance. That’s when the story really takes off. Uday Kiran discovers that Livingston (who plays his dad) is really not his dad (twist #1) and that’s when Sathyaraj (at long last) enters as a mentally deranged old man. Flashback- to Sathyaraj’s days as a strict election officer whose tiff with a political kingpin played by Fefsi Vijayan ends with both of them losing their sanity. Now, do they regain sanity and go for each other’s throats or do their sons (Uday Kiran and Riyaz Khan) settle scores for their fathers? This is narrated to us through many distinctly melodramatic (sometimes passable, sometimes amusing and sometimes irritating) moments.
Sathyaraj’s role as the lunatic old man is as stereotyped as a mental patient’s character can be. The director tries to evoke a few funny moments at the expense of Sathyaraj through some contrived situations but most of them fall flat while some appear downright ridiculous. Uday Kiran has nothing much to do and consequently doesn’t grab much attention. Raj Kapoor as the brother of heroine Diya is an assistant commissioner and also doubles up as the director of the film. Diya flits in and out of songs and scenes making no qualms about the fact that she is there only for the glamour, a job that she has done boldly. But if anyone from the cast has left a mark it is Riyaz Khan. The actor hasn’t been getting roles worth his talent of late but he impresses here, especially with his fury and emotion. Technically, Vambuchanda rises above what a mediocre masala movie generally delivers. Bulk of the credit for this should go to V.T.Vijayan’s editing, with the camera not doing too badly either. Music doesn’t offer much except for one number, Thaal Thiravai by Jyothsna and Naresh Iyer that stands out. Directorially, Raj
Kapoor’s effort lacks in vision and attention to detail. There are certain glaring errors that appear a bit amateurish and should not be seen in a movie of this budget. Also care should have been taken to avoid meaningless clichés like the costumes worn by women at the Ayurvedic resort in Kerala where the final part of the movie takes place.As in any such movie the ending to is highly melodramatic to the point of being testing. But we have seen similar stuff before, haven’t we? On the business front, Vambuchanda is a movie clearly aimed at the smaller centers and its fate will be judged only once it percolates down to the B and C screens



Sourse: behindwood

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Thotta Tamil Movie Review







Cast: Jeevan, Priyamani, Raghuvaran, Livingston, Mayilusamy, Santana Bharathi, Mallika, Sabitha Anand, Vagai Chandrasekar, Vishnupriyan
Direction: Selvah
Music: Srikanth Deva
Production: Ram New Light Productions Ltd.




it is obvious that Jeevan is in the path of shedding his earlier image of crookedness on screen with this blend of action and sentiment. However, director Selva’s Thotta offers nothing new and is a hodgepodge of all commercial ingredients that includes a past-its-sell-by date plot and other inevitable elements such as songs, stunts, love, sentiment, and sacrifice. Priyamani, and a sub plot involving her desire to become a cop, is what makes the movie a little interesting.
Jeevan’s mother is beaten to death by his father,Rajkapoor, and Jeevan is driven away from home. The kid finds shelter in a shady cop’s arms, Sampathraj, who eventually trains him under the auspices of another thug to raise him up as a ferocious hoodlum. Jeevan grows to become a terrifying gangster. However, when he is given orders to throw acid on Priyamani to disfigure her, he falls in love with her instead. Priyamani aspires to become a cop and Jeevan helps her fulfill her wish. In the process, Jeevan brings her to Sampathraj who demands that she sleep with him to help her get the job. Jeevan comes to blows with his mentor and takes a vow to get Priyamani the job without his help. In an unprecedented climax, he helps Priyamani prove her mettle in the shooting test eventually gaining her the job and fulfilling her ambition.
Jeevan is at ease playing the thug and proves that he can emote well- watch the scene when he takes revenge on his father for his mother’s death. The script has scope for nothing more than a typical action hero’s antics and Jeevan pulls it off successfully. Priyamani has all it that takes to be the next bombshell. She scorches alongside Jeevan with skimpy outfits in songs and plays her part to perfection in other scenes where she’s required to act. Other performances worth mentioning are Sampathraj, Livingston, Saranraj, Rajkapoor, and Chandrasekhar. Mayilsamy’s comedy doesn’t blend with the flow and is tiresome in places.
Balamurugan’s camera flips from frame to frame to provide the scenes with the necessary action-flick effect. T. Ramesh’s dialogue strikes the right chord in a few places. Srikanth Deva’s music is deafening, typical of an action-masala flick.
All said and done, Thotta seems to be director Selva’s attempt at reviving the 80s mindless action adventure flicks with an overdose of mother sentiment and sacrifice.







Sourcs : behindwoods



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Rajini Movie on 1 to 150 title


1st Movie - Aboorva Raagangal
25th Movie - Maathu Tappadamaga (Kannadam)
50th Film - Tiger (Telugu)
75th Fim - Ranga
100th Film - Sri Ragavendra
125th Film - Rajathi Raja
150th Film - Padayappa


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