KALIDAS

Last year 2007 - Release Movies List

>> Tuesday 29 January, 2008


  1. Aarya
  2. Aazhwar
  3. Adaikkalam
  4. Agaram
  5. Ammuvaagiya Naan
  6. Arpudha Theevu
  7. Azhagiya Thamizh Magan
  8. Billa
  9. Chennai 600028
  10. Deepavali
  11. Evano Oruvan
  12. Kalloori
  13. Kannaamoochi Enadaa
  14. Karuppusamy Kuthagaithaarar
  15. Katradhu Thamizh
  16. Kireedam
  17. Koodal Nagar
  18. Lee
  19. Maayakkannaadi
  20. Machakkaaran
  21. Madurai Veeran
  22. Malaikkoattai
  23. Manikanda
  24. Mozhi
  25. Muni
  26. Murugaa
  27. Naan Avanillai
  28. Nam Naadu
  29. Nenjirukkum Varai
  30. Oram Po
  31. Pachaikkili Muthucharam
  32. Pallikkoodam
  33. Parattai Engira Azhagu Sundaram
  34. Paruthi Veeran
  35. Periyaar
  36. Poi
  37. Pokkiri
  38. Pollaadhavan
  39. Pori
  40. Rameswaram
  41. Sabari
  42. Satham Podaathey
  43. Sivaji
  44. Sivi
  45. Thaamirabharani
  46. Thagappansamy
  47. Thavam
  48. Thee Nagar
  49. Thiru Ranga
  50. Thirumagan
  51. Thoovaanam
  52. Thottaal Poo Malarum
  53. Thullal
  54. Unnaale Unnaale
  55. Urchaagam
  56. Veeraappu
  57. Veerasamy
  58. Vegam
  59. Vel
  60. Vyaabaari

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Dasavatharam Realse on Tamil New Year

It is confirmed that Ulaga Nayagan Kamal Haasan’s mega movie ‘Dasavadharam’ will be released on Tamil New Year’s Day. The shooting of the movie is completed and the computer graphics work is going on in a full swing.

Cast: Kamal Haasan | Asin | Mallika Sherawat | Jayapradha
| Jayaram | M S Baskar | Napolean

Crew
Director: KS Ravikumar | Producer: Oscar V Ravichandran
Story by: Sujatha and Crazy Mohan | Music: Himesh Reshammiya
Cinematography: Ravi Varman | Editing: Ashmith Kunder
Make Up: Michael Westmore | Stunt: Thyagarajan |
Lyrics: Vairamuthu

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Exciting experience on cards - 'Anjathey':

>> Monday 28 January, 2008

Director Mysskin’s kitty is filled with many surprises. As more and more news is coming out on his second movie 'Anjathey', there are more surprises that trigger the expectation.

The newly released posters show the four strong characters of the movie: Narain, Ajmal, Prasanna, and Vijayalakshmi. The intensity reflected in the faces of the male actors is balanced by the pleasant appeal of Vijayalakshmi.

Ajmal’s postures declare the arrival of a new star to Tamil film world, while Prasanna’s ‘never seen before’ get ups proclaim a new beginning of his career. His appearance promises you that you are about to meet a new Prasanna altogether. According to the sources, he is donning a very strong role that could redefine his career.

Narain, who teams up with Mysskin after their successful maiden venture ‘Chithiram Pesuthadi’, is quite thrilled. He is confident about the impact he could make among the audiences amidst a horde of artistes with strong characters.

The movie, released on February 14, will be a Valentine's Day treat.

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'Yaradi Nee Mohini' official website launched.

The site of the movie, designed and developed by IndiaGlitz, reflects the nature and the tone of the movie. Danush – Nayantara starrer 'Yaradi Nee Mohini', directed by Mitran R. Jawahar, has the right blend of youthful romance and family sentiments in the backdrop of today’s corporate world.

The site captures the essence of the movie with a touch of corporate aesthetics.

The sections include stills, downloads, trailers, synopsis, and the details of cast & crew. Viewers can register their opinions on the film and the site in the ‘Guest Book’

This is Link : http://www.ynmthemovie.com

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Tamil movie - Indiralohathil Na Azhagappan Preview

Indiralogathil Na Azhagappan’ is the most anticipated film at present. The movie has a hilarious story which puts mythological and real life characters together.

The movie has triggered much anticipation, as this is the second film after ‘Imsai Arasan 23am Pulikesi’, in which the leading comedian Vadivelu plays the lead role(s). Thambi Ramaiyya, who has penned comedy tracks to Vadivelu in many films, directs ‘Indiralogathil Na Azhagappan’. Seventh Channel Narayanan produces the movie.

The story is inspired by an old Tamil film ‘Rambaiyin Kaathal’. The director has taken the concept of the film and adapted it to suit today’s trend and taste, utilizing Vadivelu’s multi dimensional talents. The movie has Vadivelu handling three different roles, two of which are mythological characters. He appears in eleven different get ups in the film.

The storyline is simple: Azhagappan, who goes to the Yama Logam (the kingdom of Yama, the god that handles the death of everyone), challenges Yama and Indra (the chief of heaven) in his own style. His confrontations with Yama and Indra (both played by Vadivelu himself), and his meetings with the heavenly beauties like Ramba and Menaka make a non stop comedy fare.

The comedian has meticulously worked for this film. The grand costumes including the crown and armor worn by him weigh up to 50 KGs. He has dubbed in three different voices for the three roles.

Vadivelu has lost huge money because of ‘Indiralogathil Na Azhagappan’. He had declined many offers because of this commitment. First he gave 70 days of call sheet. Later it was extended to 100 days. He did not accept many films in the meantime, as he decided to keep focused on the film.

The item number that features the sensuous Shriya adds sensation to the movie. The film also has Suja and Laksha dancing for peppy songs.

Sabesh Murali’s music and Gopi’s camera work add strength to the film. But it is the fabulous work by art director Thotta Tharani, which is said to be the highlight of the movie.

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Saranya Bakkiyaraj picture

>> Friday 25 January, 2008




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Namitha hot Picture





























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Manada – Mayilada… Namitha murmurings

>> Wednesday 23 January, 2008

‘Namitha’ a great actress to always loved to participate in all the occasion. Recently she has participated as a judge in ‘Manada-Mayilada’ a famous dance competition show in Kalingar TV. Due to this, she became more familiar than before she is even unable to get out of her house due to her increasing no of fans after this show some of her fans would also like to take photographs with her. This restricts her personal freedom.

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Ajith collected his left-over salary

Ajith’s Super hit Movie ‘ Varalaru’ was produced by Nick arts Chakkravarthy. Ajith has played a role of three different characters in this film. Producer Chakkravarthy has to give still 10 lakh salary more to Ajith in this film. Chakkravarthy assured that he will give the left over salary in his next film. Under such a situation Ajith had made a complaint to the producers unit that producer Chakkravarthy should pay his salary before the release of ‘KAALAI’ Movie. The producer unit also shown a keen interest on that & made Chakkravarthy to give Ajith’s salary.

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Rajini next movie Robot name changed

>> Monday 21 January, 2008

Director Shankar, who is set to make the biggest movie in Indian history, informed that the title of the mega project featuring the
superstar Rajinikanth would be changed in due course. He informed this while talking about the film in an interview given to a TV channel on the eve of Pongal festival.

The buzz is that the State Government’s decision to provide tax-exemption to movies titled in Tamil is the reason that this name change might come through. The Tamil film producers and directors are these days found with Tamil dictionary to choose Tamil titles for their films to avail this concession.

On a 100 crore budget, Robot movie will definitely need the entertainment tax-exemption. There was also a debate over the title of Shivaji, if it was a Tamil name or not. Even with the debate that Shivaji was a Marathi name, the State government accepted that Shivaji is a Tamil title indeed, and the movie was exempted from entertainment tax. This might not work out for Robot, or will they add Robot to Tamil
dictionary as well and provide entertainment tax exemption? Only time can tell!!

The film will be the richest movie in terms of special effects. The special effects will be the highlights of the science fiction movie, informed the director. According to him, the work for the special effects would require much time, almost equal to that of making a film.

The director said the shooting of the movie will be started after July; after Rajini’s Kuselan shooting is over.

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Kallai Tamil movies Reviews

It is but natural that Tarun Gopi’s second venture after the successful ‘Thimiru’ has been awaited with a lot of anticipation. While ‘Thimiru’ was in no way an outstanding movie, it did have the right ingredients to entertain. Hence Tarun Gopi gained the reputation of a director with potential to provide entertainers.

Tarun Gopi, in his second venture ‘Kaalai’, has roped in young and happening Silambarasan and this has triggered the anticipation further.

Tarun Gopi has worked out a script that has lot of twists and turns. The director has different threads, cleverly interwoven, to provide an engaging fare on screen. The initial scenes lead you towards a particular direction but a few other avenues open as the film moves on. Tarun keeps on surprising you right from the first scene, when Lal (Deputy Police Commissioner) is introduced as an auto driver.

The surprises continue with other characters getting introduced. The confusion over the name Jeeva makes an interesting suspense as to who is against whom and why.

Silambarasan is introduced in a typical way with a fight. A song, in which Nila sizzles along with white-skinned babes follows soon to make the introduction complete.

Meanwhile, the hype created to Silambarasan’s character has gone a bit too far. You are amused to see everyone showing much respect for him as if he is the prince of a kingdom. Later the mystery is revealed when the Theni track featuring Seema, the godmother of Theni, is told. Silambarasan is determined to avenge her death. The killer is the Deputy Commissioner. Incidentally (predictably?) his daughter loves the hero.

The first half moves on deftly playing with the confusion on the name and the second half shows how the all-powerful hero completes his mission. Meanwhile, you get to see some gals including the beautiful and curvaceous Vedhika dancing around Simbu, a smart dancer, in skimpy clothes.

Tarun Gopi is successful in narrating the story with speed despite many loopholes and logical weakness. The way he has clubbed the various threads is commendable. However, many scenes resemble ‘Thimiru’. The hero coming to the city in the disguise of a student, a girl sending a troupe to catch him, and the fight sequence in the bus stand have striking similarities with ‘Thimiru’.

Moreover, the narrative is too loud and it lacks finesse. The hunting game becomes redundant after a point and the build-up to the hero goes to the extent of being irritating. The young director must think new ways of approach for action films.

Silambarasan handles the ‘omnipotent hero’ character with confidence. He has worked hard in stunt scenes but looks less convincing while taking on the hefty villain in the climax. Dancing is his forte and he hasn’t disappointed in this area. But he must seriously think over doing stereo-typed action roles if he wants to develop his career as a multi dimensional hero.

Vedhika announces her arrival as the potential glam girl of 2008. This one with a beautiful and innocent face has just the right figure to take up glamour roles.

Seema is quite impressive as the godmother. She has succeeded in bringing out the power wielded by her through her eyes and body language.

Lal’s performance is emphatic. But he looks uncomfortable in the police dress. Sangeetha stands out in the meaty role with her powerful display of emotions.

Music by G.V. Prakash is just above average. A couple of songs featuring Simbu and Vedhika are good.

The bottomline: Tarun has managed to give us an entertainer but the loopholes and clichés mar the impact.

Courtsey : Indiagliz

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Pazhani Tamil movie Reviews

Director Perarasu is not a kind of director, who gives any work for your brains or caters to your fine sensibilities. He always attempts to make an entertainer with scant respect for logic or novelty. He has done this earlier and ‘Pazhani’ is the newest addition to this list.

Perarasu makes his intentions clear by putting the tag line that goes like this: “commercial panchamirtham” (commercial treat). He hasn’t deceived the fans of masala flicks. Right from the first frame ‘Pazhani’ tries to entertain the audiences with 100% masala stuff. One wonders if Tamil audiences are still fond of such flicks. Directors like Perarasu should ponder over the fact that the average viewer has been rejecting this kind of stuff and encouraging meaningful attempts.

The film opens and ends with jail sequences. In both scenes the hero (Bharath) is seen behind the bars. The happenings from his release and his re-entry to the jail make the whole film. The hero, who comes out of the prison, puts his sister’s life on track through his heroics and goes back to the prison as a martyr.

The protagonist was put behind the bars when he was ten years old. He killed his father who made his mother’s life a hell by exploiting her to cajole his ‘keep’. He went to jail and his father turned an aimless vagabond. The boy’s elder sister grew up (with whose help?) and got married to a businessman (Biju Menon).

The innocent girl (Khushboo) is living in a fool’s paradise, believing the man, who is actually an anti social element.

But she need not worry about anything. The hero, who is now 25, has come out of the jail. He gets a job in his sister’s house without revealing his identity. He unearths the shady deals of his sister’s husband and reforms him and puts his sister’s life on track. Meanwhile he finds his ladylove (Kajal Agarwal).


By the time the film ends we are tired of seeing so many fights (Bharath is fighting with somebody once in every five minutes) and frustrated with the love track and irritating sentiments.

It is a futile exercise to analyze the plusses and minuses of Perarasu’s movie, as he makes no pretensions of logic or reasoning in his script. He is so convinced about his formula that even a couple of defeats haven’t made him think about the way he approaches a film. All that we could say is that this has gone beyond a point and that it could backfire.

While we could understand and appreciate Bharath’s quest to become an action hero, which could propel his career and put him into the top list, we would like to remind him a fact that sheer action without any substantial story could jeopardize his goal. The young man is actually evolving as a fine actor with skills to handle action roles. He could create a niche for himself with this combination and hence he must rethink deeply about his attempts to become just a masala hero.

Kajal Agarwal looks fine and fresh. She dances with energy. Her debutant venture fails to make any impact, as she gets no scope to show case her talents as an actor.



View Pazhani Gallery

It is like a piece of cake for the veteran Khushboo to depict a majestic house wife, who becomes a victim of her own husband. The actor provides a powerful performance in a routine role. Biju Menon as a shady businessman is quite credible. His expressions are flawless. Aishwarya as the second girl in Biju’s life (why Perarasu is so obsessed with ‘keeps’, by the way?) is competent.

Perarasu’s dialogues are sharp at times but they tend to ape T. Rajender’s style in many places. The punch dialogues are quite comical. He has compensated for the lack of comedy with the love track and the lengthy ‘punch’ dialogues during every encounter between the hero and the villain(s).

Jokes apart, Perarasu must do away with offensive comments on the colour of a skin.

Srikanth Deva has tried his best to suit the overall mood of the film. His tunes are peppy. His BGM ably suits the masala provided by Perarasu.

There is nothing to rave about cinematography and other technical aspects in a film that concentrates on mad heroism and clichéd sentiments.

Overall, the movie would entertain you if you love Perarasu brand of entertainment. Otherwise, you might end up cursing your stars.

Courtsey : Indiagliz

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Vaazhthugal Tamil movie Review

Director Seeman’s ‘Vaazhthugal’ has dealt with many dimensions of today’s life. The movie, without lashing out any attack on anyone in particular, tries to draw our attention towards today’s lifestyle that gives little room for finer elements of life and amicable coexistence. It also, rather indirectly, underlines the importance of adoring one’s mother tongue, which is inherently linked with one’s culture.

Seeman, known for his social outlook, has narrated a story of two pleasant families with divergent outlooks on love. Both families believe in human values but differ when it comes to love. Can a girl and boy love each other without hurting the elders and deep rooted family values?

Kadhiravan (R Madhavan) belongs to a small family that has high values. The noble hearted Kadhiravan is the head of a software firm. He is skeptical about marriage, as he is scared by the bitter marital experience of his friend, whose parents have gone to old age home.

He is forced to rethink by Kayal Vizhi (Bhavana), the enchanting agriculture student, who has got international acclaim. Kadhiravan gets to see her interview in a TV channel which reveals her wonderful outlook towards life and relationships.

The interview shows her grand big family with full of aunts, uncles and cousins, with Tamil names and ruled by the majestic grandpa (portrayed be Na. Muthusamy of Koothu-P-Pattarai). The home is full of sweetness and unadulterated love.

Kadhiravan, impressed by the girl and her values, falls for her. He particularly loves her family, which adores its elder members. He realizes that he has found his girl and decides to change his mind towards marriage.

He wants to win the hearts of the family members instead of approaching them formally fearing the possible rejection. He enters into the house in the disguise of an interior decorator and wins the heart of everyone, including Kayal. He finishes his hidden mission just when he finishes the job of renovating the huge house.

The problem erupts when the family, which doesn’t believe in love, comes to know about the love. No one in the family is ready to accept the love, as everyone fears that love would ruin the family. How Kadhiravan and Kayalvizhi break the ice forms the rest of the story.

Seeman has to be commended for making a film that makes us think about our life style and changing values. He has driven home the strong message to society to care for others, especially the elders. He has also shown that one could make a film without showing anyone as baddie. The scenes that portray the blossoming of love are poetic.

His penchant for Tamil language is praise worthy. His effort to go for 100% Tamil even at the expense of reality in certain places is admirable, given the overall atmosphere in the society, where the place for the ancient language is shrinking. Someone has to bell the cat and Seeman has dared to do that.

However, there are certain flaws in the screenplay. The grand joint family falling apart over the issue of love is not convincing. The grandpa’s instruction to everyone in the family to deal the issue with affection sounds good. But the way it turns out to be violent is hard to digest. It is hard to believe that the love shared by the traditional family members is not deep enough to withstand such eventualities. The pace of the movie could have been better.

The climax, however, is convincing. The dialogues between Kadhiravan and the grand father are on love, have been well written.

‘Chocolate boy’ Madhavan, as a kind hearted entrepreneur, is a delight to watch. His pleasing expressions strengthen the character and the message. He scores highpoints in romantic sequences. His expressions in emotional sequences are competent.

Bhavana as Kayal carries the role of a cute young girl with a lot of love and affection, with ease. She is quite expressive and energetic. The girl is known for deglamorised beauty and Seeman, who is not the one who tries to thrive on the glamour element, has utilized her elegant charm commendably.

Seeman has introduced a few new faces. Na. Muthusamy, one of the founders of the unique theatre group Koothu-P-Pattarai, impresses with his majestic looks and authentic expressions. The man, who has a hand in shaping up the talents like Pasupathy, handles his role with amazing ease. He excels in the climax.

Artist Trotsky Marudu, another debutant, looks cool as the father of the hero.

Venkat Prabhu, as Kadhiravan's friend, provides some comic relief. He handles his role as an experienced actor would do.

Yuvan Shankar Shankar Raja’s songs are tuneful and melodious. The songs Chinna Chinna, Azhagu Nila (written by Paaventhar Bharathidasan), and Kannil Vanthathum stand out. Na. Muthukumar’s lyrics go in tandem with the theme of the movie. Cinematography by Sanjay is beautiful.

Overall, ‘Vaazhthugal’ is a worthwhile effort by Seeman on the changing values of our society, with a positive message.


Courtsey : Indiagliz

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Bheema Tamil Movie Review

lot has been told about the delay over Bheema. Some doomsayers even predicted that the movie would not see the light at all. But the team of Bheema was unperturbed. Vikram once said, "Bheema is a sure winner irrespective of when it comes. It is worth waiting for such a film".

Now the movie has seen the light and it has vindicated Vikram’s words.

The whole team deserves applaud for providing us a neat entertainer. Lingusamy, Vikram, Prakash Raj, Ashish Vidyarthi, Raghuvaran, Kanal Kannan, Harris Jayaraj, R.D. Rajasekar and S. Ramakrishnan have done their best to make it a smart and stylish action film. And you have the charming Trisha as a gentle breeze amidst a powerful storm.

The story is all about a tug of war between two underworld gangs trying to outsmart each other. Periyavar’s (Raghuvaran) group is bigger and more powerful, while Chinna’s (Prakash Raj) group is struggling to gain strength.

Enters Shekar (Vikram). The powerful man adds new life to Chinna’s gang. He challenges Periyavar’s powerful troupe and puts China on top. He is the man who grew up seeing Chinna as his ideal. He is a man of steel - physically and mentally. He, as Chinna tells once, bears everyone on his powerful shoulders like the Bheema of Mahabharatha.

The gangs are targeted by the new police commissioner (Ashish Vidyarthi) and the three pronged hunting begins.

Lingusamy has worked out a strong script and executed it with aplomb. He has excellently handled his cast to make it an entertainer. He has to be commended for not restoring to any gimmicks in the pretext of providing entertainment. He is also bold enough to avoid a comedy track, which would have been an irritant in the script.

The characterization is near perfect. Like the legendary Bheema, Shekar is always ready to attack, unmindful of who stands against him. If he puts a step forward, there is no looking back. Powerful, straight forward, and fearlessness. Lingusamy, with the able support of dialogue writer Ramakrishnan, has shaped the character remarkably well. The relationship between Shekar and China is well portrayed.

Likewise, his handling of the track of gang war, entwined with police action, is quite smart. The climax is something unexpected. The picturisation of the songs is spectacular.

Vikram has lived up to the expectations with a dominant and flawless performance. If his hard work to become physically strong is praise worthy, his efforts to transform himself as the character are stunning. He reflects the essence of the character both physically and mentally. His body language - particularly his eyes - is awesome. He breaths fire in the stunt scenes. The fights in the rain and in the construction site (intermission point) are astonishing.

He also scores in romantic sequences, which are very less in this action packed movie. He brings out the transformation in his character because of love in a lovely manner. Hats off to Vikram.

Trisha gets her share in the action movie and succeeds in adding colour to the film by spreading her charm. She looks ravishingly beautiful in songs. Her eyes and minute facial expressions are pleasing.

Prakash Raj comes through out the movie. His character is so powerful that he looks like a second hero. The versatile actor has brought a new dimension to the character of a gangster.

Ashish Vidyarthi in a small yet significant role is competent. His portrayal of a smart police officer, who means business, is flawless. Raghuvaran as Periyavar impresses but his histrionics have become predictable. Sherin in ‘Rangu Rangamma’ is impressive.

Kanal Kanan (action) and Rajashekhar (camera) have added immense value of the film. Kanal’s setting up of the fighting sequences is certainly a treat for action movie lovers. Rajasekhar’s camera work is brilliant. The shooting of intermission fight in the darkness stands out.

Harris Jayaraj’s music, which is already on top, fits well in to the movie. Almost all the songs have come out very well.

Overall, Bheema has lived up to the expectations up to a large extent. Lingusamy and his powerful team have succeeded in presenting an action oriented entertainer. True to its name, Bheema is a power packed action entertainer.


Courtsey : Indiagliz

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Pongal releases Tamil movies list 2008

>> Tuesday 15 January, 2008

This time there are 8 films for 2008 Pongal.

1. BEEMA
Director: Lingusamy
Cast: Vikram, Trisha
Music Director : Harris Jayaraj

2. Pirivom Sandipom
Director: Karu Palaniyappan
Cast: Cheran, Sneha
Music : Vidyasagar

3. Pazhani
Director: Perarasu
Cast: Bharath, Kajal Agarwal

4. Kaalai
Director: Tarun Gopi
Cast: Silambarasan, Vedhika
Music Director : GV. Prakash

5. Thangam
Director: Kichas
Cast: Satyaraj, Megha Nair

6. Indralokathil Naa Azhagappan
Director: Thambi Ramaih
Cast: Vadivelu, Shriya, Suja
Music Director : Sabesh Murali

7. Pidichirukku
Director: Kanagu
Cast: Ashok, Vishaga

8. Vaazhthukkal
Director : Seeman
Cost : Madhavan, Bhavana
Music : Yuvan Sankar Raja

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Kallai get 'A' Certificate

>> Friday 11 January, 2008

Silambarasan’s Kaalai, due for Pongal 2008 release, is certified by the Censor Board in Chennai under ‘A’ category. This action adventure, directed by Tharun Gopi, faced the scissors today and has had only three cuts altogether, sources reveal. Insiders also state that the censor officials were impressed with the movie that they only deemed three scenes to be inappropriate, and advised them to be cut.

Kaalai’s music has already hit the charts and is creating waves with G.V. Prakash’s score. Vedhika plays the lead in Kaalai that also has Nila, Sangeetha, Lal, and Vadivelu playing significant roles.

Left to be satisfied with Silambarasan’s cameo on TV in 2007, his fans are gearing up for (Jallikattu) Kaalai’s release


Courtesy : behindwoods

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Bheema gets ‘A’ certificate

>> Thursday 10 January, 2008

Bheema plighted out to be a long-drawn-out flick that was supposed to hit screens by last year. Some problems are indefinable and Bheema seems to have faced the same sort of condition. Fine! That’s not an issue for we have the film releasing this Pongal universally. It was during this week; the film passed censor board and now has been carded with ‘A’ certificate.

It was something absurd to see Lingusamy’s movie getting an ‘A’ certificate and but censor board officials had some good reason for it. The film has incisively present violent stuffs and you don’t worry for it’s a pakka-commercial movie.

The movie is expected to release on January 11 and of course Vaazthugal, Anjadhe, Indralogathil Alagappan would be other releases…


Courtesy : kollywoodtoday

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Sankar Robot on Superstar

>> Tuesday 8 January, 2008

Ayngaran International and Eros Multimedia have officially announced that superstar Rajnikanth, ace director Shankar, and music wizard A. R. Rahman are teaming up once again for their new film 'Robot'.

'Robot' is all set to become grand and entertaining film ever made in Indian cinema. The movie will be simultaneously produced in Tamil, Hindi, Telugu and other languages. 'Robot' will have the state-of-the-art technology.

Eros International is an established global player in the fast-growing Indian media and entertainment arena. It has built a successful business model around the release of 30 new films every year and has film library containing more than 1,300 titles, making it one of the largest content owners in the business. Eros has the possession of the distribution rights for films including ‘Devdas’, ‘Om Shanti Om’, ‘Munna Bhai MBBS’, and ‘Partner’.
Eros is now producing and co-producing around 70 films in Hindi with leading artists such as Shah Rukh Khan and Hrithik Roshan.

Ayngaran has been the pioneers in Tamil Film Distribution in theatrical and home video formats in the International Market. The History of Ayngaran business dates back to 1987 when it had the vision to acquire the International Rights across formats of many Tamil films that became blockbusters.

The Ayngaran library has over 1500 films including ‘Sivaji’, "Padayappa’, ‘Chandramukhi’, ‘Mudhalvan’, ‘Indian’, ‘Jeans’, ‘Boys’, ‘Pokkiri’, ‘Gilli’, ‘Sivakasi’, ‘Kaathalukku Mariyadhai’, ‘Alaipayuthey’, ‘Kandukondain Kandukondain’, ‘Kannathil Muthamittal’ and ‘Billa 2007’ amongst others.

As far as 'Robot' is concerned, it is like a roller coaster ride for the movie, as Shankar has been contemplating with many names for his dream project. First it was said that Kamal Haasan would act in it. Then Vikram’s name surfaced. Post ‘Sivaji’, we heard that Hrithik Roshan would be the dream hero. Then came the name of Aamir Khan. Finally Shankar made an official announcement that it would be Shahrukh Khan, who would don the role in his most intimate project.

However, it came as a setback to the director when Bollywood superstar Shahrukh Khan had pulled out from the project. Some leading Tamil magazines speculated that Ajith would be roped in. but finally superstar has agreed to act in the movie and that puts an end to all speculations about the project.

Since the project would cost hundred crore rupees, it goes without saying that it needs a star like Rajini, who has incredible market value, to redeem the money and ensure profit for the investors.

Keep watching this space for more updates on 'Robot'



Courtesy : IndiaGlitz

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Nice look Kamna

>> Wednesday 2 January, 2008












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Trisha real picture























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